Acid Park
by Ohal
DH Higgins
DH Higgins
boi this shits trippy af
fridgetrax
Bryan Summersett
yoshitaka kawaida
pH
55 Shades Of Blue
Matthew McVickar
Leslie Bell
Jake Cole
Rob K
Luke Telford
kitsch-bent
A Walker
loan vvulfen
ConcreteBill
hillelah
JeffJeffie
270191
Gabriel Gutierrez
Kristin Malossi
Chino
Jarred Parenzee
Matthew Walker
cxma
sbntsb
theskinnyfists
Steven Purtill
mathieu massadian
Sierra Brimhall
Kendra Cowley
Colin Ferguson
Jeffrey Kish
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
$8 USD or more
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Record/Vinyl + Digital Albumspot gloss varnish on full color, full LSD jacket. comes with high-quality digital download
Includes unlimited streaming of Acid Park via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 7 daysedition of 300$20 USD or more
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1. |
All Mine
05:50
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2. |
Hornet's Cave
02:34
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3. |
Set Go
04:51
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4. |
Acid Park
04:59
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5. |
Shun Over
04:19
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6. |
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7. |
Closer
07:00
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8. |
Tame
06:00
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about
Acid Park is an eight movement suite for synthesizers, samplers, and voice. Born from balancing a love/hate relationship with song structure, baroque music, and soundart, Acid Park projects the most embarrassing aspects of each form as radical, chaotic elements organized by traditional constructs of composition.
Her writing process was simple, yet meticulous. All of the tracks were built as collages by toying with sounds first, before cutting, pasting, and manipulating them in various ways. Ohal worked with each synth instrument as a closed system: she extracted sounds and repurposed them into complex textures and melodies. The percussion sounds on Acid Park were derived from this same process, but slowed down or sped up on tape and recorded back to the computer before landing in the mix.
Ohal wrote Acid Park with a cyclical listening experience in mind. These eight songs grow and fold into each other, feeding on themselves like an ouroboros of lysergic emanations. Ohal’s sound design demands focus, but rewards ambient listening in the same way a walk at dawn memorializes a party’s afterglow.
Acid Park was mixed by Ohal, Tunde Adebimpe and Matty Green at the California Federal Prism studio. Inva Cota designed the album cover in New York City, where Ohal is currently based. Acid Park is available now on Styles Upon Styles.
Her writing process was simple, yet meticulous. All of the tracks were built as collages by toying with sounds first, before cutting, pasting, and manipulating them in various ways. Ohal worked with each synth instrument as a closed system: she extracted sounds and repurposed them into complex textures and melodies. The percussion sounds on Acid Park were derived from this same process, but slowed down or sped up on tape and recorded back to the computer before landing in the mix.
Ohal wrote Acid Park with a cyclical listening experience in mind. These eight songs grow and fold into each other, feeding on themselves like an ouroboros of lysergic emanations. Ohal’s sound design demands focus, but rewards ambient listening in the same way a walk at dawn memorializes a party’s afterglow.
Acid Park was mixed by Ohal, Tunde Adebimpe and Matty Green at the California Federal Prism studio. Inva Cota designed the album cover in New York City, where Ohal is currently based. Acid Park is available now on Styles Upon Styles.
credits
released May 27, 2016
tags
license
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